When unworldly student Anastasia Steele first encountered the driven and dazzling young entrepreneur Christian Grey it sparked a sensual affair that changed both of their lives irrevocably. Shocked, intrigued, and, ultimately, repelled by Christian’s singular erotic tastes, Ana demands a deeper commitment. Determined to keep her, Christian agrees.
Now, Ana and Christian have it all—love, passion, intimacy, wealth, and a world of possibilities for their future. But Ana knows that loving her Fifty Shades will not be easy, and that being together will pose challenges that neither of them would anticipate. Ana must somehow learn to share Christian’s opulent lifestyle without sacrificing her own identity. And Christian must overcome his compulsion to control as he wrestles with the demons of a tormented past.
Just when it seems that their strength together will eclipse any obstacle, misfortune, malice, and fate conspire to make Ana’s deepest fears turn to reality.
This Fifty Shades Freed: Book Three of the Fifty Shades Trilogy book is intended for mature audiences.
There are life's guilty pleasures, and then there is the guiltiest spectacle of them all: the Fifty Shades of Grey spectacle. It's time to review this precious pearl of literary genius, so I'm going to dive on in.
When we last left our romantic icons, Ana Steele and Christian Grey, they were newly engaged and facing (a) Ana's ex-boss, Jack Hyde, whom Christian fired in a fit of jealous pique when Jack made a pass at Ana and (b) Christian's "Mrs. Robinson," the woman who initiated him into his life of BDSM. Can these two crazy love birds find happiness and contentment? Thank goodness E. L. James doesn't keep us hanging and gives us the GIFT that is Fifty Shades Freed.
The tale opens just after Christian and Ana's wedding, as the two bask on their European honeymoon. They bicker, rock the headboard, bicker some more, and have make-up rocking of the headboard. While enjoying their romantic interlude, Christian learns that someone apparently tried to sabotage part of his building. Enter the "plot" portion of the festivities. The threat to Grey Enterprises increases, and we are meant to be on the edge of our seats in anticipation of how this AWFUL THING will transpire. There also continues to be friction in the Grey marriage. These two argue about the same damn thing all the time, followed by furious headboard rockin'.
So there's your story.
While this one shares certain similarities with Fifty Shades of Grey and Fifty Shades Darker, in Fifty Shades Freed, James actually attempts - gulp - style. There are flashbacks, seemingly set at even intervals, but then mysteriously dropped. Until, that is, the epilogue, where they show up again. Clearly E. L. James realized that we don't read these books for STYLE. I mean, really.
Let's get to the good stuff, shall we? Because, let's face it: we also do not read these books for their plot. Please. There are more important things to anticipate.
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